The room is ideal for organizing meetings such as conferences, dinners, symposia, product presentations, exclusive fairs or fantastic parties.

The Effectenbeurszaal is suitable for organising (hybrid) conferences, dinners, symposiums, product presentations, exclusive fairs or fantastic parties.

The hall was designed with a special glass saw-tooth roof, enabling traders to optimally inspect the grain in the northern light. The room now forms the perfect setting for conferences, seminars and events.

Nowadays, this space is an excellent link between the main entrance and several large conference and function rooms.

In 1912, the Stock Exchange had its own building at Beursplein 5, next to the Beurs van Berlage. The Administratiezaal has since then been used for various fairs and gatherings.

The Veilingzaal is located above the Graanbeurszaal and can be reached via the stairwell.

The Keurzaal (Inspection Room) is located on the north side of the Beurs van Berlage and overlooks the Old Port and Amsterdam Central Station.

The Berlage zaal was the crown in Berlage’s work. The stained-glass windows depicting various personifications of planets, was designed by Antoon Derkinderen.

The artists are not only immortalised in the works of art that they left behind in the building, the breakout rooms in the building are also named after the masters.

Antoon Derkinderen (1859 - 1925) maakte in de Berlage Zaal de glas in loodramen met daarin 21 voorstellingen. Derkinderen was schilder, glazenier en boekbandontwerper.

In his father’s masonry, Joseph Mendes da Costa (1863-1939) made gravestones and sinks. As an artist, he focused on ornaments and statues and he also designed interiors. Mendes da Costa thought his designs were not only decorative, they also had to support the function of the space.

In 1907 the Ontvangkamer (reception room) was used as the boardroom of the Chamber of Commerce and Industry. Today, this room is still used as a meeting room.

The Blue Room unsed to belong to the Chamber of Commerce and Industry.

Adriaan Roland Holst (1868-1938) was convinced that art and culture helped to achieve a better and fairer society. He came, like Berlage, from a wealthy family, but the painter still fought for workers’ rights and solidarity.

Lambertus Zijl (1866-1947) received a scholarship to the National School of Applied Arts and became a sculptor. He was part of Berlage’s regular team and also designed tableware and interior sculptures.